You are browsing the archive for mixed media.

Avatar of Sofia

by Sofia

Earths Bronzes Cooling. Catherine Hyde

February 19, 2012 in We Love

Catherine Hyde Original Artwork

We love Catherine Hyde‘s work. Here’s what she says…

“I am constantly attempting to convey the landscape in a state of suspension in order to gain glimpses of its interconnectedness, its history and beauty. Within the images I use the archetypical hare, stag, owl and fish as emblems of wildness, fertility and permanence: their movements and journeys through the paintings act as vehicles that bind the elements and the seasons together.”

Catherine Hyde Original Artwork

Catherine Hyde Original Artwork

Catherine Hyde Original Artwork

Catherine Hyde Original Artwork

Avatar of Josh

by Josh

Encounters with Rachael Nee

February 13, 2012 in We Love

Rachael Nee Original Artwork

Rachael Nee‘s work is made using the sooty material left from a burning candle! Wow is all we can say. Here’s what she says…

“I use the sooty carbon trace left from a candle flame to make smoke drawings. To me this ephemeral material expresses the passage of time, memory, absence and our fragile and transient nature.

My recent works have taken a look at the sooty material itself, the element of carbon, often called ‘the backbone of life’. This was the starting point for a series of works called ‘Carbon Based Forms’. The geometric designs are drawn from the crease patterns that remain from unfolded origami.

I saw a parallel between carbon and origami, in both complexity of life or form comes from the simplicity of a small building block, an atom or a fold, repeated and evolving to create a vast number of different objects.

I work with and enjoy the element of risk; total concentration is needed to make the drawings. Fire creates an irreversible transformation, there is no going back; images cannot be unburned. But as you can imagine, as in life, much does go up in smoke.”

Rachael Nee Original Artwork

Rachael Nee Original Artwork

Rachael Nee Original Artwork

Rachael Nee Original Artwork

Avatar of Josh

by Josh

Perception with Adam Arbeid

February 8, 2012 in We Love

Adam Arbeid Original Artwork

We love the work of Adam Arbeid. He says…

“Adam has originated a range of his own processes, which he uses in conjunction with traditional disciplines to create alluring and engaging work.

The surfaces of the pieces within this body of work are created as a Florentine marble fresco. Layer by layer coats of a marble composite are applied to the canvas and built up to create a veneer like marble base then the piece may be sectioned off and further layers can be pigmented and applied, textured and polished before paint is introduced to the damp or dry base. Minerals, aggregates, base and precious metals, pigments and other materials are incorporated within his works.”

Adam Arbeid Original Artwork

Adam Arbeid Original Artwork

Adam Arbeid Original Artwork

Adam Arbeid Original Artwork

Avatar of Josh

by Josh

Toys on Wood. Bright Eyes. Robert Bradford

January 15, 2012 in We Love

Robert Bradford

We love Robert Bradford‘s eccentric contemporary animal sculptures made from toy parts, scrubbing brushes and all-sorts… especially the ones with light up eyes! He says…

“For a long time now I have preferred to use materials that are not bland i.e. have some kind of history of weathering or use. One day about four years ago out in the studio I was looking into my childrens box of outgrown / discarded toys which happened to be stored in the same building and responded to the random collection of colours shapes and forms they made. I figured that if I could find a way of putting them together to constitute a larger form they would have great potential as larger scale sculpture.
Over the next while I experimented with two other construction methods (which both had their downsides) – before one day about a year ago in frustration I tried putting a screw through one toy and then many others. To my surprise most didn’t crack or shatter and the new series has been largely based around and developed from that fact.

Ideally the pieces will work on many levels. The toys themselves interest me in their own right as mini sculptures by unknown and uncredited artists. Mostly I use the toys abstractly as forms with which to build muscle bone or internal or external organs but all types of human pursuits can be referred to and represented through them – things loved or hated – things used and carried as tools etc etc. They provide interest in surface detail whilst making their contribution to the totalities. The toys also provide a moving history of fads and fashions as they pass through the media and our awareness temporarily significant and then forgotten.”

Robert Bradford

Robert Bradford

Robert Bradford

Avatar of Sofia

by Sofia

Love is never needing any help if you are intent on staying ignorant. Charming Baker

January 14, 2012 in We Love

Charming Baker

We love Charming Baker‘s work, especially his application of shotgun to linen.

Charming Baker

Charming Baker

Charming Baker

Charming Baker

Avatar of Sofia

by Sofia

The Ugly Duckling. Henrik Simonsen

January 12, 2012 in We Love

Henrik Simonsen

We love Henrik Simonsen. In fact I’d go so far as to say his work is outstanding. Here’s what he says…

“When asked what I do I will tell people that I paint but I think that I should say that I draw. The main element in my work is drawing. The attraction to drawing stems from the directness of the mark making process and the simple, yet magical way lines on a surface create shapes and forms.

I do all my drawing freehand even if I repeat an element, as I feel that projectors or stencils take the life and strength out of the line.

My work has had nature as a central theme for years. There is a lesson to learn from how nature is able to vary simple forms infinite. It might sound clichéd to say that nature is your source of inspiration but I can’t change that. I think this is where my Scandinavian background becomes evident. Scandinavia has a long tradition for art, design and architecture inspired by natural forms. For me personally the draw of the subject matter is its inexhaustible richness and metaphorical ability to speak of human existence. Of life, passion and the brevity of existence.

The influence for this body of work has also been the 18th century. Or more specifically the period from between 1730 and 1765 now referred to as the Rococo. Rococo looked to nature for inspiration. It celebrated the sinuous, the organic and the sensuous. It embraces the bizarre and the beauty of natural phenomena. I am fascinated by its lack of structure, hierarchy and the fairytale like world that it shows us. It’s a world of beauty, freedom and just plain fun. “

Henrik Simonsen

Henrik Simonsen

Henrik Simonsen

Henrik Simonsen

Henrik Simonsen

Avatar of Sofia

by Sofia

Pushing The Bike Yellow. Dan Parry-Jones

January 10, 2012 in We Love

Dan Parry-Jones

Dan Parry-Jones‘s work really excited us when we first saw it – impressively intense use of colour, beautifully patchy and degraded mark making, and some wonderfully illustrative figures. Here’s what he says…

“Dan’s paintings are all mixed media. The process involves working on wood , and building up layer upon layer of acrylic paint usually with a palette knife. Dan’s background in graphics inspired in him a love of typography and he often works collage into the paintings, with glimpses of signs, letters etc incorporated into the pieces.

As the work progresses, Dan will often scrape off or paint over large areas in order to preserve or emphasise the most important part of the image. Finally, Dan uses silk screen printing when adding detail such as the figures or buildings. Dan uses varnish as a top layer in order to fix any loose flakes of paint or paper in place and also to age the piece; which creates a contrast with the generally contemporary feel of the work.”

Dan Parry-Jones

Dan Parry-Jones

Dan Parry-Jones

Dan Parry-Jones

Avatar of Sofia

by Sofia

Holy Smoke. Jonathan Huxley

January 8, 2012 in We Love

Jonathan Huxley

We love Jonathan Huxley‘s inspiring and super-colourful work using mixed media and oils. He says…

“Sometimes my mistakes are better than my best laid plans.

Leonardo da Vinci believed any random blot can be the start of something extraordinary.”

Jonathan Huxley

Jonathan Huxley

Jonathan Huxley

Jonathan Huxley