You are browsing the archive for framing.

Avatar of Nicola

by Nicola

Colour Basics – A Palette for Interiors and Art

June 2, 2011 in Interiors

Art and the use of colour should be fun and used as a way of expressing yourself without following set regulations and guidelines of what goes where and what goes with what. The aim here is not to give you rules but just some helpful tips and pointers to consider and think about to make the most out of your art and create an environment that inspires you.

Choosing your art is a very personal decision and in most cases depends heavily on a relationship and understanding that you develop with a particular piece. Let’s face it, most of us will buy a piece because it really leaps out at us or we connect with it in some special way, not just because it fits precisely into a room’s décor. Colour can also be a very personal thing, so it’s important to choose what fits you.

Part of the beauty of understanding established practice is the ability to break it and make a real statement in a room.

The Colour Wheel

It may seem very basic, but to help you decide on what colours might be best for you, let’s take a look at the colour wheel.

Colour Palette

Photo: Colour palette books are great help when you want to match potential wall paint colours with artwork because they’re portable! Most good paint suppliers offer these for free or at a small cost. Photo courtesy of Team Dalog

The colour wheel explains how to balance the use of colour to create what is known as a harmonious effect. There are three main colour schemes using the colour wheel that are used by professional designers and artists. These are:

Monochromatic Schemes
This is where your major colour is used not only as the predominant colour but also as the accent. This is accomplished by using different tones and textures of the same colour, for example using red as your major colour and a tint of red for the accent.

Adjacent Schemes
This where colours that are adjacent to each other on the colour wheel are used, for example red as a major colour and orange as an accent.

Complementary Schemes
This is where colours that are opposite to each other on the colour wheel are used, for example red as a major colour (and therefore set a warm mood) and green as an accent.

You will find that most pieces of art have a dominant colour that draws your eye and it could be this colour in particular that you will want to match with other elements of your room.

Framing

Framing options

Photo: Consider framing colour, finish, texture, size and mount.

It’s easy to forget when buying art that you also need to consider the frame. If you’ve ever had the pleasure of walking around a contemporary art gallery, then you’ll probably recognise the concept of displaying art in as minimal a context as possible. In an art gallery this means lots of white wall space but few of us either have pristine white walls or the luxury of space that your average gallery would enjoy.

Bearing this in mind, there are other ways that we can help to give our chosen art a little more space. The most important being the frame selected to house the piece.

At Curator, we put a lot of time and effort into carefully selecting a concise group of framing options for each piece available. Largely for us this is about carefully considering how colour elements within each piece might match with their respective frame, but other factors do come in to play like how the size and level of decoration might affect how a piece is viewed when hung.

It’s probably stating the obvious but a frame stands between your artwork and its surrounding, so it can be used both to embellish a piece and to reset the eye. Sometimes a mounting board, normally very neutral in colour can even be placed between the piece and its frame so both the art and the frame itself can create a statement without visual conflict between the two.

Size

I’m a big fan of large dominant pieces, particularly in my front room. If you’re buying a really big piece then colour is going to be pretty critical to your decision because it’s going to stand out so much in the room. Selecting a bold and bright colour in this case can make a really impressive and dramatic statement when placed in a room with relatively muted or neutral décor.

In contrast colour selection in small pieces might not be so critical especially if you intend to hang several pieces on a wall together. Then again, don’t be afraid to pick something that’s small but really stands out, because it can really catch someone’s eye and draw them in for a closer look.

Because colour choices are so personal, I always find that following strict rules is difficult or at odds with my own personal taste, but ultimately thinking through some of these aspects always helps me when I pick something new for my home.

For further inspiration, colour combinations that occur in the natural world are often really great to transfer into the home. But if you are still stuck for ideas then maybe check out Adobe’s Kuler website which has stacks of really beautiful colour palettes to give you a head start.

Hand Finished – Our Framing Process

June 2, 2011 in Curator

Finding a piece of art that you love, is sometimes just half of the art buying experience. You may find that choosing the right frame and mount is as important in making your selection look ‘picture perfect’.

We believe that selecting the right frame for your art work is paramount, which is why we go as far as consulting with our artists about suitable framing options for each painting, taking into consideration every detail including; size, style and colour.

Framing

Photo above: Canvas clips are delicately fixed into place.
Fine Art Trade Guild

Above: Our framing facility is Fine Art Trade Guild certified.

Curator makes framing your new art work a painless task. Our framing facility is a Fine Art Trade Guild Certified establishment that ensures the highest standards of care and skill are applied when framing each and every canvas. All our framing is hand finished, using brass fittings, and our original pieces are treated with the upmost care.

We visited our skilled framers at the workshop located deep in the leafy Oxfordshire countryside to find out what exactly framing a precious Curator original art work entails.

Our Framing Process

1. After you have chosen your frame, the inner and outer parts are looked over, and inspected for any marks and damage. The corners of the frame are then filled with wood filler, to enable a flush fitting.

First inspection

Photo: First inspection of frame.
Pinning and Inserting

Photo above, left: Pinning the frame. | Photo above, right: Canvas is carefully positioned.

2. Next, the inner and outer frames are assembled and pinned. This is to guarantee that everything is aligned correctly before your work is put into place.

3. Once your frame is prepared, the canvas is delicately inserted into position.

4. ‘Z’ shaped canvas clips are then fixed in place, this is to ensure that nothing is ever attached or screwed directly on, or through the canvas which could leave marks or damage to your painting. It also allows for the piece to be removed or reframed in the future.

Packaging

Photo: Packing is digitally cut to perfectly match the size of your artwork.

5. The “Feet” are then attached to the bottom two corners of the canvas; these are small felt pads that allow the frame to rest against a wall with out damaging the paint work, or the canvas.

6. After this has been completed, the final step is to affix a wire to the frame, so your piece can be hung.

7. Once everything has been finished and checked, your newly framed canvas is ready to be carefully packaged.

8. The piece is wrapped in a protective material, before a precise laser guided machine cuts a box to fit the framed art work exactly.

9. Once it is boxed, your Curator certificate of authenticity can be inserted, and the box itself is wrapped and re-boxed.

10. Your new Curator original art work is now ready to be delivered to your home.

Framed

Photo: A framed Original, ready for packing.
Protective packaging

Photo: Your framed art is packed with great care to ensure any risk of damage when it’s moved to you is limited as much as possible.