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Avatar of Sofia

by Sofia

Becoming a Decor Diva

January 29, 2012 in Featured, Interiors

We’ve been talking to Nadya Savannah Sawney about her career as an interior designer, current trends, how art impacts an interior and about her work at Decor Diva Interiors.

Could you give us a brief outline of the background of your business and what services you offer?

My creative talents and my ability to translate a client’s visual desires are the backbone to my business. I offer the usual services supplied by an interior designer… but my forte is my ability to ‘see’ paint colour on walls before it is applied. This gives me the confidence to advise and consequently inspire my clients about paint colour choices. I firmly believe that transformation of rooms absolutely can be achieved simply by having the ‘right’ paint colour on your walls; likewise get it wrong and no amount of fabulous furniture, window dressings or accessories will look good.

Decor Diva Interiors

How long have you been working as an Interior Designer?

Since a child. In business: 3 years.

Why did you decide to become an Interior Designer?

Expression through interiors has always been part of who I am. So in essence the only change I made was to make it into a business. It has always been a deeply intuitive gift, for which I am very grateful.

What were you doing beforehand and how did this lead you into Interior Design?

I rode horses for a living; worked in the Music Industry then the Television industry. All the aforementioned are very creative areas… all supported my creative talents. And always over the years I was helping friends and family to make interior choices. So the transition into interior design being my full time business was quite effortless on one level but also the beginning of hard work to get my name ‘out there’.

Decor Diva Interiors

Above: Nadya Savannah Sawney

Where are you based?

I am currently based in Buckinghamshire. I work from home so my environment is what I make it. Working on my own from home can be quite insular but somehow that alone time balances out between family life and commissions. Sometimes I get my best creativity flowing when I am working on a project alone at home. Other times one needs interaction with people and places. I guess it is all about balance. Indeed, so is interior design.

Do you work alone or do you have assistance?

I work alone.

How would you describe the kind of work you do?

The work I do is translating a client’s visual desires into an interior reality that feels and looks comfortable, harmonious and inspirational. I call that ‘Luxury with Imagination’.

Do you have a particular style?

Yes I do …and it’s called good taste! One may say that good taste is subjective, and of course it is, but I feel that within us all is a built-in barometer of what feels good to look at and live in. As a designer my aim is to find that ‘feel good’ feeling within my client and then work from there. Sometimes that involves showing alternatives to their taste; steering them away from a look that has no visual harmony to something that they love yet previously would never have thought of. Other times I expand on the clients taste. Again, showing alternatives that would have previously remained undiscovered. And let’s not forget the clients home. It too has a voice – rooms will let you know what works and what does not.

Decor Diva Interiors

Has working in the music and television had an impact on the style of your work?

Absolutely. When I first worked for a rock star in the 70′s I was based at his Manor house in Gloucestershire. I was used to such homes being decorated in quite traditional ways but his home not only had that style but also influences from Morocco and America. The look and feel of that house along with the interior of Blakes Hotel in London certainly had a very positive and lasting effect on my creative outlook towards home interiors. I spent time staying at the hotel in the mid seventies and the interior designed by Anouska Hempel was totally fabulous and unique.She was also designing amazing interiors back then and using certain colours on walls way before any other designer took those kind of leaps. And it all worked to perfection. Her work is so inspirational.

Does listening to music or watching TV ever inspire design ideas?

I garner inspiration from the music that I listen to all day and every day when I am working. And like most consumers, I watch television as a way of ‘switching off’. Suffice to say if a item of furniture, lighting or window dressing leaps out to me I certainly do take note.

Do you ever take inspiration from an artist’s work or an art movement?

I feel inspiration in abundance when looking at art that I like. I just adore the work of Eoghan Bridge. His sculptors of horses with humans are exquisite. They literally fill me with the warmth and love they exude when I look at those pieces. My Husband introduced me to early American artists such as Grant Wood and Thomas Hart Benton. I love their work namely because of how they use colour to describe their imagery. The black and white photographer O.Winston Link (also American) captures exceedingly strong emotion through his work and Richard Avedon is another amazing photographer… his work is simply stunning!

Do you use specific types of materials or colours in your work?

I am not held by any particular materials. Having said that; there are some materials I loathe. Pine and artex spring to mind! Plus, I am not afraid to suggest deep colours to a client. Especially for a small space. I so disagree with the notion that one should always paint a small room or a dark room in a light colour. A deep colour in a small room makes a statement, which is ‘I mean it, I am small, strong and gorgeous!’

Have you ever done or considered any commercial work?

Thus far I have not done any commercial work. I would welcome the opportunity, depending on what it is of course!

Decor Diva Interiors

What size of house do you usually work on?

There have been a range of sizes and not as one would imagine always easier because of house and room size. Sometimes a very large drawing room/sitting room would be a designer’s dream to do; other times a nightmare! I seem to have attracted all different kinds of shapes and sizes of rooms and well as houses. From an 18th century cottage to a 50′s bungalow.

Do you mainly work on whole houses or just rooms?

Both. One of the services I offer is paint colour consultations which is what is says on the tin. But invariably the client sees such a profound transformation from my paint colour suggestions, I am asked to extend my input. So what can begin to be a paint colour commission for one room will extend to more interior design for the room and other rooms in the house.

What is your dream project?

A huge country house here to renovate and add on to; I love Orangey’s and would build a massive one onto the kitchen and grace it with scrumptious furniture, rugs, art, mirrors and flowers. Then I would cross the pond and ‘Decor Diva’ a beach house in California!

Who would you like to work with if you could?

Ralph Lauren or Anouska Hempel. Both of whom are designers of distinction, class and style. I simply adore their interiors and garner tremendous inspiration from each of them.

Who would be your dream client?

It is characteristics more than a name. He/She/They would be aware of their visual strengths and weaknesses and be honest to themselves and therefore me throughout the process of the job. It is my call to translate the feeling and ideas a client has about their living space through my interior design and it is the client’s call to be open to inspiration whilst remaining true to themselves. Just think back to the hundreds of TV makeover shows and how one knew as soon as the TV crews were gone …the ‘new look’ would be following swiftly behind!

Are there any Designers or Artists you would love to collaborate with?

Ralph Lauren, Anouska Hempel, Bob Dylan, Eoghan Bridge, Heather Jansch.

What defines success in the industry for you?

Word of mouth recommendations. Features on my work in major interior design magazines and in on line publications such as The Art Curator.

What are your plans and aims for the next year, 5 years?

To continue to inspire and be inspired. To have national and international recognition for my work.

What’s popular in the Interior Design world now?

Deep colours seemingly are making a comeback. Which is fantastic as companies like Farrow & Ball have some very beautiful deep colours. Because of the pigment in their paint the paint colour changes throughout the day and evening depending on the light in the room. To me that is a most glorious and generous contribution from a paint colour to a room and I thank F&B for that!

What’s cool for 2012?

Sourcing, sourcing and more sourcing. If you love a ‘look’ or a piece of furniture in a magazine that you just love but do not have the budget for, sourcing for the items or something similar can solve that.

Any particular colours or themes?

I love mixing fabrics always have… Paisleys with leopard skin prints; plaids with flower prints; pinstripes with checks or any combination there of. Needless to say the fabric’s material, design and colours are all important to get the ‘look’ right. Use any of the aforementioned in fabrics that fall short of the mark and one would have a dreadful mess of garishness on one’s hands. Use the right fabrics and one has created something very special.

Do you feel that you are defining trends?

I am not sure I am able to answer that today. Ask me again in a few years time! My input is unique but it also has ears..ie: I listen to what my clients ‘feel’ they want and then I translate that directive through my talent and experience. Of course I also garner inspiration from trends that successful designers have given us all. But I am not held prisoner by them. Nor should anyone else feel they have to go for a particular look because it is fashionable. That look may not work for their home, bits and pieces of it may. That is where I come in, to get the ‘jigsaw pieces’ looking like the perfect fit.

Decor Diva Interiors

Do trends in Interior Design often follow similar trends in music and fashion?

Yes, I think so. Especially in the UK where we have seasons. Where as in the spring and summer months one’s interior wants to breathe in the sun and the colours in your home will want to reflect that; in the autumn and winter months our rooms like to feel cosy and warm and of course wall colour and or accessories can achieve the change. But as with music and fashion. Our tastes change, what one loved two years ago may be something you can’t stand looking at today.

That is why I will always advise clients on NOT going with a new trend in an area that is costly and disruptive to change. Loud and garish splashbacks spring to mind.

Do you consider Interior Design as an art form in itself?

Yes I do. How a room’s interior ‘speaks’ can change its language and therefore translation to being one of clarity – to one of confusion.

How can a single piece of art change the mood of a room?

It can completely change the vibe of a room… exactly like a human can. Art like us is energy and each piece has its own vibration. The key is to allow the piece to ‘be’ without it compromising the space around it and vice versa.

Do you incorporate artwork in any of your existing designs?

Yes, yet having said that I do not think artwork should dictate anything to a room other than it’s own particular beauty. When a client starts talking about ‘matching’ furniture, wall colour and or accessories to artwork I steer them away from that concept. Other wise the artwork and the room’s interior become to busy for one’s sub-conscious. One starts feeling uneasy rather than inspired and relaxed.

Do you have any artwork up in your office/studio?

Yes I do. I have artwork which was chosen for several reasons; not least because of it’s vibe. I think most people choose artwork for the feel they get from it. I am also not afraid to mix up a take on a theme by various artists, or indeed integrate paintings with other forms of art. I have a horse’s head sculpture that sits on one side of my desk that sometimes I find myself stroking!

Is it inspiring, motivating, or does it set any other kind of mood?

The art work and the sculpture do offer me a very relaxing and inspiring vibe. None of it is overpowering.

Do you have a favourite painter?

I enjoy quite an eclectic array of painters. I love the evocative work of Edward Hopper. His work entitled “Cape Cod Morning’ puts one in that location. I really like his other paintings too. I also enjoy portraits of Native American Indians. The power and the energy in those faces is quite extraordinary. Some Cuban art has been known to inspire me as their use of colour is so different to any artist working in a different climate therefore light. And being a horse lover, I do love Stubbs – although not a painter per se, the Driftwood Horse Art created by Heather Jansch is truly beautiful.

Each artist I like, all seem to appeal to my sense of strength that I receive, when feeling and looking at light, colour, space and emotion.

Is it important to have a focal point or centrepiece in a room?

I do think it is useful to have a centrepiece and or focal point in a room. It is a good place to start for balance.

How might someone display a painting or sculpture in a room?

Carefully and thoughtfully. I do not mean that to sound flippant. I really do mean carefully and thoughtfully. A painting or indeed a sculpture placed incorrectly in a room will not only ‘fight’ the space but also distract from the beauty of the piece or painting.

What factors of the room does art affect? E.g. colours, soft furnishings, room accents?

It would affect all the factors of the room and the key words are complement, complement and complement again. Everything about an art piece has to be taken into consideration… its size, colour and its statement. I have seen art hung where is does nothing for the picture or the room. Suffice to say, I have seen that same piece of art work hung elsewhere sometimes simply on a different wall in the same room and suddenly one has a stunning visual experience.

What steps did you take to break into the industries of Interior design?

I said yes to a friend asking me to renovate her property.

What path would you recommend to someone considering it as a career now?

Belief in one’s ability is crucial and in practical terms..anything from doing work experience in interior design shops to work experience with a designer.

Have client’s expectations changed?

I think the interior make over TV’s shows have given people a very odd perception of how long things can take. For good and for bad. This is were communication with the client is crucial. Expectations need to be aired and then the reality of them talked about. Informed discussion and informed choices are always my preference.

What are the advantages of hiring an Interior Designer?

Getting ‘it’ right. How many times have I seen as a friend (let alone as a designer) homes that have been vandalised with bad design choices. I once went to a house whose owner was very proud of how she had ‘matched’ her kitchen floor tiles to her pine orange cupboards. Visually it looked as though a whole load of pumpkins had exploded in that room. It could have all looked so different. Individually nothing was wrong with the tiles or the cupboards but together their colours just did not work. That is where an interior designer can save the day and together with the client create a fantastic kitchen or what ever room it happens to be.

Can you give us 5-10 reasons why someone should hire an Interior Designer if they are thinking about giving their house a makeover?

As above is one reason! As above is a second, third, fourth reason.. and so on! Most people think that hiring an interior designer is very expensive without actually knowing what costs are involved. I have saved my clients a lot of money especially with paint colour choices and also through guidance to the right product or furniture item.They experience getting it right the ‘first time’ instead of ‘eventually’ through trial and error, the client ends up saving money and time and more importantly – enjoying the process. No one is going to love their new interiors if the journey was full of stress and costly mistakes.

Our thanks go out to Nadya Savannah Sawney for her time answering our questions.

You can find out more about Nadya and her interior design business via her website at www.decordivainteriors.com.

Avatar of Richard

by Richard

The Art and Science of Interiors – Words of wisdom from Heterarchy

December 20, 2011 in Inspiration, Interiors

We’ve been talking for quite a while now about the relationship between great art and interior design, so we’ve been talking to some top interior designers and agencies about their businesses. Let us know if you pick up some tips!

Tony Matters, Managing Director at Heterarchy was kind enough to talk to us about the art and science of interior design…

Tony Matters, Heterarchy Interior Design

Above: Tony Matters, Managing Director at Heterarchy

Could you give us a brief outline of the background of your business and what services you offer?

Our core business is hospitality interiors (bars, restaurants, hotels and conference venues) as well as religious and high end residential projects.

Heterarchy was founded in 2001 by the interior designer Rosemarie Fitton. We’re based in Leicester – we work from a converted 20′s knitwear factory – it’s open plan, lots of character. It says a lot about who we are, although it’s evolved over the years rather than being ‘designed’.

We’re a team of five – Rosemarie Fitton, Creative Director – Tony Matters, Managing Director – 2 designers and a studio assistant.

How would you describe the kind of work you do? Do you have a particular style?

I would say we always aim to create interiors that inspire people; this is not marketing jargon, we actually want people to walk into a space we’ve designed and respond emotionally. We don’t have a set style, but we do have a set process; over the years we’ve learnt how best to approach a project so that we can get under the skin of our clients needs and wants. It must be working, as we have lots of happy clients who keep on coming back to us.

Temple Foyer

Above: Temple Foyer

Could you describe more about the sectors you work with?

Hospitality is a key sector for us, it seems to be a good fit for our skills and approach. I would say we’re in the business of creating spaces that are engaging, inspiring and lift people emotionally; being able to do this well takes a particular skill; it’s as much about knowing what to leave out as what to put in, it’s that intangible thing when you know something is right but you’re not sure why. Being able to do this seems to really suit hospitality interiors.

Religious spaces are something our Creative Director Rosemarie has a keen interest and ever expanding knowledge in. Having designed all of the spiritual spaces for the second largest Hindu Temple in the UK, for BAPS Shri Swaminarayn, we’ve been privileged to get the opportunity to learn a tremendous amount about their faith and beliefs. Interpreting the symbols and values into a contemporary interior scheme, the end result is pretty much unique. Rosemarie is now actively pursuing this area of work, to both expand her own expertise and eventually make a significant contribution to the design of new types of religious and spiritual space.

Residential projects are where we cut our teeth. For the first seven years of Heterarchy, we provided a complete design and build service for high end residential projects. As we became more and more successful within this area, it was a natural progression to start to get involved in other types of work. We do still work on residential schemes, although not as much as we used to; and these days they tend to be pretty exclusive projects.

Rosmarie Fitton, Creative Director at Heterarchy

Above: Rosmarie Fitton, Creative Director at Heterarchy

What part of the design is most important when making an individual statement on a project?

Conveying the individuality of a brand through interior and architectural design is possibly the single most important thing we do. To do this, it’s essential to develop deep understanding of the brand; what are it’s core values, who are it’s customers, what do they want and need. It’s about looking for what makes this brand unique and imprinting this into the design; we strongly believe that every single business or venue has something special that can set them apart from their competitors. Sometimes it’s obvious, other times we have to do some digging, but ultimately this is the thing that makes the real difference, the thing that leads to our preferred response ‘this just looks and feels right’.

Communicating the individuality of a faith is not too different. It’s about learning and developing understanding. It’s about going back to the first principles of a particular faith and understanding where it all came from. This is always a huge undertaking but it cannot be avoided, particularly if we want to create something new and relevant for contemporary society. A lot of religious architecture is almost ‘pattern book’ – you use this pattern here, that one there and so on. What we would prefer, however, is to understand why these symbols where used in the first place; this enables us to create something new that still adheres to these guiding principles. One of the biggest challenges in this field is the design of multi-faith spaces – these are essentially spaces for prayer and meditation that are not specific to any one denomination. In practice, this is very hard, as their are lots of preconceived attitudes and conflicting requirements; in spite of this, we strongly believe it is possible to make this work, again by getting back to first principles and creating an over-riding sense of spirituality.

Creating a space that is personal and individual to someone’s lifestyle is again about taking the time to develop real understanding. In some ways this can be the hardest of all; people often use logic to justify what they want, but in fact it’s always their emotions that drive the decision. Add to that the fact that often you’re dealing with a couple and it gets even harder. Sometimes I think that to design peoples homes you are half designer and half marriage guidance counselor!

Ashorne Hill

Above: Ashorne Hill

What is your dream project?

I’m not sure I have a dream project but I probably have a dream client; someone who is passionate about their business and wants to embark on a journey to create something special. It’s also worth noting that this is not about having huge budgets to play around with; this just makes you lazy. Some of the best experiences we’ve had is working within tight cost constraints, yet pushing ourselves to create something amazing. On a more basic level, I would like to travel more with our work. We’re currently working across the UK but relish the opportunity to work further afield, which I’m sure at some point will happen.

Do you plan to carry on focusing on working with clients within hospitality, religion, and residential? Or there other types of businesses and organisations you are aiming to work with?

My focus within the business is hospitality interiors. This is where my passion lies and is something I’ve started to develop genuine expertise in, which is really important; we would hate to be seen as a ‘jack of all trades’. Having a deep expertise within a narrower field is, in my view, the key to success. Rosemarie is doing this with religious, spiritual and multi-faith spaces. In fact, Rosemarie is building a level of expertise within this area that is unrivaled within the UK, maybe even the world! As for residential projects, more often than not these days we get appointed because someone has seen our work within a other field but appreciated our skill and approach; we tend to be quite selective about this type of work now, as it’s easy to be a busy fool!

Are there any Designers, Architects or Artists you would love to collaborate with?

I’d like to collaborate more with artists who share a similar world view. I’m not pretentious, I always try and speak in plain english; but this doesn’t mean I’m not passionate about creativity, about capturing the essence of an idea and communicating with people on a deeper, more intuitive level. I suppose that’s the ‘art’ in what we do, which, for me, is the critical element of success. To work closely with an artist who understands where I’m coming from would be simply amazing.

Heterarchy Studio

Above: Heterarchy’s Studio

How do you plan to push boundaries in the world of Interior and Architectural design in the future?

For me, great design is in the first instance about building great teams. Our work has to deliver on many levels – commercially, creatively, emotionally and technically. Getting the balance right is all about getting the right mix of individuals, within both the client and design team. This is the essence of a ‘heterarchy’. Going forwards I look forward to working with great individuals and producing truly outstanding spaces.

What are you plans and aims for the next year, 5 years?

We’re going to keep doing what we’re doing, keep pushing ourselves to deliver outstanding projects for our clients. As has happened over the past few years, so long as we stay true to our values and never stop learning I think our success will continue. In 2009 we set ourselves the goal to be the leading designer of hospitality interiors with the Midlands; I think we’re nearly there. Next, the UK. Then the world!

Do you think that following trends is important in Interior and Architectural Design?

I think a balanced approach is key. We tend to put the fashion into things that can be easily updated whilst ensuring the underlying scheme will stand the test of time.

Where do you feel that you fit into current trends? Are you part of a wider trend?

I’m not sure that we do. It’s entirely possible to create an interior that fulfills our clients commercial needs, elicits a positive emotional response from those that use the space and is in some way a unique and individual response to a particular place, without being ‘on-trend’ or fashionable. Our work varies in style as it’s always a response to a specific client and situation; this is the way it should always be.

Do you consider Interior Design as an art form in itself?

There has to be an element of art in it, however we also need to balance that with commercial and practical considerations. The ‘art’ part is vital, however, as that is how we communicate with people on a more intuitive and basic level.

Apartment Wall Art

Above: Apartment wall art

How can a single piece of art change the mood of a room?

It’s entirely possible to build an interior around a single piece of art. If it adds to the story, or even creates the story, then it can be a powerful emotional trigger within a space.

Do you incorporate artwork in any of your existing designs?

We often incorporate art within an interior, quite often it’s a pivotal part of a scheme.

Do you think that displaying artwork in a business setting is important for making a statement about a brand?

I think it needs to connect with the story of that brand. Art for arts sake is good for no-one, but when art can be used to add an emotional layer to a space it works really well.

Religion has played a huge part in art and design through the centuries and is associated with very historic structures and artistic techniques, how are you bringing this into the modern world?

We’ve had to go back to basics, to understand the primary drivers for both religious art and religious symbolism. Peoples need for a spiritual or religious dimension in their lives has never changed, but the way we see the world most certainly has. Making a visual or symbolic reference does not have to be particularly obvious or literal – in fact, by placing it within a more contemporary conceptual framework, it’s possible to capture the underlying essence of why we would need this in the first place. With Hinduism, for example, the underlying symbolism is all about expressing the power of nature; cycles of life, birth, growth and renewal. Historically, this is communicated using devices such as stems, leaves and flowers in different stages of growth. Once you understand this, it’s fairly easy to se how you can create a new language that still communicates these core principles.

Have you ever designed a project around an existing piece of art? How did you go about doing this?

We designed the foyer for the new BAPS Shri Swaminarayan temple around an important relief sculpture that is located at the Akshardam temple in India. Although this is quite small in size, we used this as the source image for a fifteen metre long glass wall in the foyer. The image is a historical reference, the scale and material used is entirely contemporary.

What steps did you take to break into the industries of Interior and Architectural design?

Our route into design was evolutionary – starting out with small commissions, by always striving for excellence our work got attention. Looking back it’s amazing how far we’ve come, our business is almost unrecognisable now from what is was when we first started.

What path would you recommend to someone considering it as a career now?

A good degree in interior architecture, ideally one where you can do a years placement in industry. If not, try and get as much work experience along the way as possible.

Has it become easier or harder in this field?

It’s getting easier for us as we become more recognised within our field. Building up contacts takes time, there’s no shortcut to developing lasting relationships with key clients.

Have client’s expectations changed?

People are more aware of ‘interior design’ – at least they think they are! The popular media has not really helped, quite often reinforcing negative stereotypes of what interior design is. Good clients, ultimately, understand the value of good design. Quite often through a bad experience of some kind they soon come to realise that good interior design is about so much more than using the latest fabrics and wallpapers.

You can find out more about Heterarchy over on their site at www.heterarchy.co.uk.

Avatar of Nicola

by Nicola

5 inspiring interior design blogs

October 24, 2011 in Inspiration, Interiors

The Art Curator team have picked out our favourite 5 interior design blogs. for inspiration in home décor. The word curate is defined by the Oxford English Dictionary as ‘to select, organise, and look after the items in a collection or exhibition.’ The blogs were selected because akin to us, they curate. You’ll notice that the writers select the most inspired art, décor, furniture and fabrics for your home. Editors organise it, making it easier to browse and enjoy. They also look after it; constantly updating, improving and maintaining their collections. We couldn’t possibly put them in any order, this article simply comments on content and style so you can decide what catches your interest.

Modern Etsy: Jessedirk, on 2modern

Above: Modern Etsy: Jessedirk, on 2modern

Live.Learn.Share.Design

blog.2modern.com are concerned with everything that’s modern, hip, trendy, innovative and cool, showcasing the best and brightest ideas from all over the world. Their friendly, welcoming site is easy to navigate and the informal, insightful writing style keeps you wanting more. It has an amazing Art and Graphics section which features different artists, more or less daily. From the vibrant collages by Brandi Strickland to the eerie dystopias created by Lekan Jeyifo, it’s packed full of stimulating posts. The DIY and How-to section is terrific; clever home ideas for anyone who wants a worthwhile Sunday afternoon project. Check out the mini laptop desk and house-brick planters/candle-holders and you’ll be bursting with enthusiasm.

I Spy – Vanessa Arbuthnott… on Dear Designer

Above: I Spy – Vanessa Arbuthnott… on Dear Designer

Dear Designer

deardesigner.co.uk by London based interior designer Carole King is a lot more personal. You really get a sense of who Carole is through her writing, a lover of anything aesthetically pleasing, she simply writes about what she likes. This blog is particularly relevant to those who live in the UK, with primarily UK based stockists and including many high street items. Brilliant if you want to put your ideas in to practice straight away. Her finds are truly amazing; we loved the post featuring shiny mercury glass items. Her post-card blog was brilliant, a collection of inspired ways to display your postcards – (also complements a piece we’ve just written on art and travel). Check out the mood boards section too. There’s not much written content but Carole seems to be bursting with such vision and creativity – you get the feeling she just doesn’t have time for words.

Inspired By Riikka Kantinkoski, on Decor8

Above: Inspired By Riikka Kantinkoski, on Decor8

Fresh Finds for Hip Spaces

decor8blog.com by American author, journalist and interior design consultant, Holly Becker is sublime. Holly lives in Northern Germany and posts feature the very best of European chic from Belgium, the Netherlands, Luxembourg, Italy, Austria, and Switzerland. You could spend hours browsing her eclectic mix of featured artwork, furniture, stationary, lighting and ceramics. Her passion for everything handmade and unique really shines through, particularly in the Etsy section where every Tuesday, she blogs about her best finds on the world’s handmade marketplace. If the blog leaves you wanting more, you can check out her hugely successful book; ‘Decorate: 1,000 Inspirational Ideas For Every Room In Your Home,’ which has claimed the no.1 Interior Design spot on Amazon for months now.

Modern Residence Flooded With Natural Light in Southern Luxembourg, on Freshome

Above: Modern Residence Flooded With Natural Light in Southern Luxembourg, on Freshome

Interior Design and Architecture

freshome.com is more focussed on architectural aesthetics so if you love Grand Designs – this is the blog for you. Posts feature inspiration from around the world that is interesting, eye-opening and unexpected. We were incredibly shocked by the Average Home Sizes of the World Chart. We Brits have the smallest sized spaces to work with at 818sqft, compared to Americans who enjoy a massive average of 2300sqft. The post – 30 Contemporary Bedrooms That Will Rock Your World – certainly did. The blog is heavily concerned with Scandinavian design so if this isn’t something that interests you, Freshome may be one to miss. Although the blog may be a little removed from the real world and it probably isn’t the best if you’re looking for a few practical design tips, it is extremely enjoyable to read.

Sunset Cabin on the shores of Lake Simcoe, on Materialicious

Above: Sunset Cabin on the shores of Lake Simcoe, on Materialicious

Shelter, Materials and Objects

materialicious.com is unimpressive at first glance but persevere because we’re now addicted. The simple design means it’s all about the imagery. The best way to navigate is through the browse tags section; find what you’re interested in and viola. All related pictures are then displayed on the left hand side, which means no scrolling. The blog is fantastic for browsing, just pick out what you’re drawn to and click on the image. We discovered the amazing map pictures by Matthew Cusick and fantastic Spanish Colors by Coni Della Vedova. It allows you to really get in-tune with your artistic tastes by concentrating solely on the visuals. The downside is, there is not much to read and if you want to find out more, you’re shot off somewhere else.

Avatar of Nicola

by Nicola

White Walls, a Perfect Blank Canvas

September 16, 2011 in Inspiration, Interiors

A post-re-modelling party at a friend’s last month got me thinking. The Nordic style décor was inspiring; their goal was to bring the outdoors in; light and airy with white walls and natural colours and textures to add warmth. To my dismay, whilst our hostess was in the kitchen, another guest remarked, “It’s lovely but why didn’t they bother to paint the walls?”

This bothered me. Instead of the plain walls being considered part of the design, they were regarded as an oversight, or even worse – as laziness. Are white walls a design catastrophe? Why are we so afraid of them? Don’t white walls make statement of their own?

Modern White Interior

Above: Simple, modern, clean and white! Photo courtesy of Steve Johnson

Let there be Light

White is often deemed clinical, too stark or austere and often just plain boring. However, it is a typical characteristic of Nordic interior decorating. The long winters and few hours of sunlight inspired Scandinavian designers to create bright, light, environments and that means white walls. In fact, some areas are in total darkness for months, there is an overwhelming need to create light and harness even the faintest rays of sunshine. It’s therefore quite normal to see a whole room painted white; walls, ceilings and even floors.

Back to Basics

Another defining characteristic of Nordic interior design is the use of natural materials and colours, especially wood. After the war, Scandinavians went back to basics. Limited resources meant they resorted to traditional materials like wood, clay and glass. Interior design takes its cues from the neutral colour palette of Scandinavian landscapes. Fabrics and textures are influenced by the natural theme too.

White and Black

Above: White and Black. Keeping it simple. Photo courtesy of MandCo

Minimal

Nordic homes are admired all over the world, this is partly due to the fact they are in-tune with today’s craving for calm, uncluttered spaces that are easy to live in, functional and low maintenance. Its unpretentious, simplicity and understated elegance, makes it a classic choice.

Here’s a quote by designer Lars Bolander, author of The Scandinavian Home which really sums up what to aim for:

“In a Nordic home you will never feel overpowered by scale, suffocated by stuff, or put off by clinical minimalism. You will feel utterly at ease: comforted by sensitive proportions, delighted by thoughtful details, calmed by unfussy decorating, and subtly yet profoundly connected to a larger world. If anything is going to supply drama, it will be nature.”

Showcase Your Art

The Nordic room is especially good as a backdrop for your favourite painting. This is down to the use of light. Most galleries have clean white walls and spot lights that shine on artwork to make it look exalted, more dramatic and compelling. The lighting in a Nordic style lounge will add significantly to your painting’s visual effect. Good lighting can highlight the texture and brush strokes of a painting so you can enjoy it on many levels.

Nordic design draws inspiration from the landscapes of Norway, Sweden, Finland and Denmark. Bringing the outdoors in, colours are influenced by the natural abundance of rivers, waterfalls, fjords, glaciers, forests and mountains of Scandinavia. There is no better tribute to this than a landscape painting.

You’ll also notice that almost all Scandinavian homes focus on the hearth or the heart of the home. Every room needs a focal point and nothing will provide a better backdrop to a work of art than a white wall.

If you find these ideas appealing, this blog is great for Nordic inspiration. lovenordic.blogspot.com is dedicated to everything Scandinavian.

Love Nordic

Above: One of our favourite interiors blogs Love Nordic

A Blank Canvas

The real beauty is that white walls are a blank canvas – primed to add your own personality, colour and style. For an artist a pristine white canvas excites the imagination. In your home, a plain wall offers wonderful design possibilities. So, instead of thinking that white walls are boring, consider them an opportunity to express yourself. Here are some tips when working with white walls.

Painting in off-white

Above: Painting in off-white. Photo courtesy of Matt Seppings

Painting

Pure white can create a dramatic setting and there are some that actually enjoy the starkness and glare it produces. If this is the case go for a semi-gloss finish rather than matte. The chalkier matte absorbs light; the semi-gloss is more reflective. However, the majority do not crave that kind of severity in a place where they want to relax. There are hundreds of shades of white you can choose from some are warmer, with a slightly yellow or green undertones. If you’re worried about your room looking too cold or clinical choose a slightly off white.

Lighting

Lighting is extremely important in this environment as it creates silhouettes and shadows, which help define the space. Glare can be a problem in white rooms, so much so that the other colours in your interior design may wash out. It can also reveal dirt and imperfections of plasterwork. Clever lighting is essential to avoid the sterile, clinical look too.

Colouring

Any colour next to white is at its most vibrant, a bold colour will literally jump out of the room at you, so you need to be careful. If you’re looking to add to the drama of the room, you could perhaps go for bold reds or contrasting black accents. This is a more contemporary way to highlight your white walls; just make sure you don’t over-do-it. Natural, more neutral colours will create a cosier, more relaxed space. Pastels also work well complementing the light and airy feel.

Accessorising

Choose accent pieces that are truly worthy of the attention because they will stand out more than ever in a white room. Pure white is most effective as backdrop when there are powerful visual distractions, a large piece of art for instance, will immediately steal the limelight. One or two key pieces such as an interesting painting or a statement fireplace will work best, instantly grabbing your attention.

Go White

“Scandinavians live for light. Like air itself, it is critical to their wellbeing and all the more cherished because, for many months, they must make do with very little or none at all.” – Lars Bolander. While we may not suffer months of total darkness, our UK climate does feel gloomy and depressing and it’s no surprise that many of us Brits are drawn to this décor style. It’s great for urban, city areas, creating the illusion of space and offering a light, bright environment. So, ignore any pre-conceived ideas you may have and go white.

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by Nicola

Art of the Unexpected

July 25, 2011 in Inspiration, Interiors

Disrupt - Art of the unexpected!

When hanging art it’s easy to follow set rules, to give each piece enough space and to match the colour of the frame with your coffee table. In fact it’s so easy that sometimes we forget that putting art on our wall isn’t actually just about displaying the work of an artist, it’s also about our own expression. It shares a little bit of our personality and tells a little of our story.

The thought of explaining all the options for displaying a piece of art is quite scary. There are so many ways to show art in a space that, with a little imagination, the display itself can become a creative piece in its own right. I won’t attempt to list them all, instead all I hope is that you’ll look at your home a little differently, and ideally break a few rules.

The Expected

Photo: Formal rules work well in creating a clean and contemporary look that works great in some settings, like this hotel. Photo courtesy of Uggboy

The Expected

Let’s just take brief a look at the conventional method of hanging artwork…

The common technique used by museum, galleries and in a traditional home is to hang each piece so that the middle of the picture is 57″ from the floor – this represents the average height of the human eye.

It’s also a pretty given rule that when designing your interior, you must first position the furniture in your room, allowing art to be arranged in the space around it.

Ideally no less than 8″ should be left between the bottom of any piece and the top of an item of furniture.

Gaps between pictures should all be equal.

Live A Little

Photo: You might consider a painting that runs the entire height of a wall, from top to bottom! Photo courtesy of quinnanya

Live a Little

If you’re like me, then reading those rules may have already sent you to sleep. So let’s put them to one side.

Feeling particularly adventurous and creative? Great! You’ve taken the first step. So let gallery hanging rules stay in art galleries and curate your home how you want it!

Your home is a place to relax, feel comfortable, socialise, play, study… Not to display and observe in any formal context. Anything hung on the walls should facilitate the activities that you and your loved ones enjoy.

But don’t stop here, there’s a million fun and different ways you can display your art to add personality and enjoyment to your home. Don’t sit back – it’s time to do something different.

Place a piece somewhere you never normally would consider. Try it for even just seven days and see if you get any comments, and see if it catches your eye all the more for being there.

Contemporary Kitchen

Photo: Contemporary kitchens can often look sleek and sexy, but can miss so much in the way of individualism and personalisation. Photo courtesy of kitchendesigner

Where to Hang

Of all the walls in your home waiting for art, it may seem like the bathroom and kitchen are the easiest to neglect. After all, you don’t want your precious artwork to be damaged by cooking or moisture build-up.

But artwork can be a defining part of bathroom décor, helping a purely functional space feel warm and inviting. I can think of nothing better than letting my hair down in a bath filled with bubbles while exploring flowing strokes and colours of some of my favourite art to take away the stresses of the day. And those damage worries – just talk to your framer, they’ll be able to advise you on whether a piece is framed soundly enough to resist the day to day wear of being in a water-rich environment.

Twine

Photo: Consider the materials you use to hang your art carefully. Photo courtesy of Public Domain Photos

Displaying your Art

Consider the materials you use to hang artwork. Consider allowing the hanging technique itself to be visible – it’s a great way to add an element of consistency to several pieces. For example, consider using a thicker twine or thin rope to hang paintings (and yes, do think about the colour of that twine too).

Or, disregard hanging altogether by mounting artwork onto a shelf. To say ‘display’ rather than ‘hang’ art gives us so much more freedom.

If you have a large painting then you could try just simply leaning it up against a wall. Whilst this is probably the simplest thing in the world, that’s really the point – it can create a more casual or relaxed feel that is harmonious to a room – remember that your house needn’t be formally structured!

Collections

Consider assembling a collection of art and personal photos or treasured objects to display. Does a grouping of art and photos make a greater statement than just one piece? Some of the most interesting items on my walls are actually small found items, which form collections and add value to bigger works that I’ve purchased.

Gallery

Photo: Let’s leave formality to the galleries! Photo courtesy of Omad

Hide a piece of art, see who spots it. Place a small painting on a big blank wall. Allow a big painting to fit an entire wall. Let colours clash against each other. Whatever you choose to do, be different, be unique – just don’t conform to standards set by anyone except yourself.

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by Nicola

5 Myths of the art world, debunked

June 28, 2011 in Inspiration, Interiors

At Curator we believe that everyone can benefit from creativity and enjoy great works of art. Sometimes it’s easy to feel that art is something “someone else” buys, and plenty of people in the art world like to maintain that air of exclusivity. But it’s time to put a few myths of the art world to sleep for good…

Five myths of the art world debunked

1. “Art isn’t for me… I don’t understand it”

The amazing thing about art is that it’s actually very accessible – you really don’t need an art history degree to appreciate something that’s beautiful, something that makes you sad, or something that just makes you want to look closer.

Does it really matter if you don’t get the original intention of a piece, or know the entire context of its creation? Of course not – the most important thing is that a piece of art speaks to you and that you take something, anything, away from it. If you love a particular image, the most important meaning it has, is the one it has to you. Sadly, the art world at large could do a lot more to make the industry more inclusive.

2. “You have to spend a lot to start collecting art”

Not true! You can find amazing original pieces from well respected artists for just a few thousand pounds and limited edition prints for just a few hundred.

If you’re just starting out, or on a strict budget, then look out for work from lesser-known artists or recent graduates who still produce great works of beauty that could fit perfectly in your home or office. They will really appreciate the time you’ve taken to seek out their work!

The point about owning art is to buy work that you’re in love with – it doesn’t have to cost you a fortune. You can still get something unique within a budget – it just takes a little imagination and some searching.

The smallest house in Great Britain

Above: The smallest house in Great Britain. Photo courtesy of Andy Hay

3. “My house is too small to even think about hanging art”

Big or small, personalising your living space is one of the great joys of life.

You might read about conventions for displaying art on your wall, but your home isn’t a public viewing space – it’s a place that you relax, have fun, eat, sleep, and where you can just enjoy time with the friends and family – forget about conventions and just make the space your own!

Art doesn’t have to be huge either, there are plenty of smaller pieces out there that can add depth and emotion to any wall.

4. “It’s hard to work out if I’m paying the right amount for a piece of art”

The days of being swamped by sales people in highstreet galleries, sadly, is not over just yet. But that doesn’t mean you can be fooled!

The internet is your best friend with pretty much every purchasing decision possible, and art is no different. Google the artist’s name and title of a specific piece you like in order to read up on the artist themselves, see the context of a piece, or see if (in the case of Limited Edition Prints) it’s for sale anywhere else for less. If you’re buying original, search online to see how other pieces from the same artist are priced elsewhere as a point of comparison.

Don’t be pressured by a hard-sell, take your time, go away and read up, maybe even give it a day or two to think on it, then come back and make your buying decision.

Spend wisely!

Above: Spend wisely! Photo courtesy of Next

5. “I can’t spend money on art during a recession”

Obviously we won’t advocate spending money you had originally budgeted for food or rent on art – but you should genuinely consider the benefits of buying art against other purchases.

A great piece of art is going to be around for a lifetime (at least) and you’ll probably look at it slightly differently every day. So will your family, visitors to your home, and whoever you eventually pass it on to. Considering its longevity, art can be a very cost-efficient purchase, compared to say a cinema visit that might cost you £8-10 for just over an hour of entertainment, or a games console that works for just 2-3 years before it’s superseded.

Thinking about art is just a part of considering your home surroundings. Money is rarely better spent than making your living space more pleasurable to be in. After all, you spend a LOT of your time in it (if only the office had such beautiful walls).

Last but not least, spending on art doesn’t always mean that money is lost. Often, great art will retain its value or increase in value over time – meaning it can be an investment rather than an expense. Obviously this isn’t always the case though, so if you buy, make sure it’s something you love rather than purely for a potential return.

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by Nicola

Colour Basics – A Palette for Interiors and Art

June 2, 2011 in Interiors

Art and the use of colour should be fun and used as a way of expressing yourself without following set regulations and guidelines of what goes where and what goes with what. The aim here is not to give you rules but just some helpful tips and pointers to consider and think about to make the most out of your art and create an environment that inspires you.

Choosing your art is a very personal decision and in most cases depends heavily on a relationship and understanding that you develop with a particular piece. Let’s face it, most of us will buy a piece because it really leaps out at us or we connect with it in some special way, not just because it fits precisely into a room’s décor. Colour can also be a very personal thing, so it’s important to choose what fits you.

Part of the beauty of understanding established practice is the ability to break it and make a real statement in a room.

The Colour Wheel

It may seem very basic, but to help you decide on what colours might be best for you, let’s take a look at the colour wheel.

Colour Palette

Photo: Colour palette books are great help when you want to match potential wall paint colours with artwork because they’re portable! Most good paint suppliers offer these for free or at a small cost. Photo courtesy of Team Dalog

The colour wheel explains how to balance the use of colour to create what is known as a harmonious effect. There are three main colour schemes using the colour wheel that are used by professional designers and artists. These are:

Monochromatic Schemes
This is where your major colour is used not only as the predominant colour but also as the accent. This is accomplished by using different tones and textures of the same colour, for example using red as your major colour and a tint of red for the accent.

Adjacent Schemes
This where colours that are adjacent to each other on the colour wheel are used, for example red as a major colour and orange as an accent.

Complementary Schemes
This is where colours that are opposite to each other on the colour wheel are used, for example red as a major colour (and therefore set a warm mood) and green as an accent.

You will find that most pieces of art have a dominant colour that draws your eye and it could be this colour in particular that you will want to match with other elements of your room.

Framing

Framing options

Photo: Consider framing colour, finish, texture, size and mount.

It’s easy to forget when buying art that you also need to consider the frame. If you’ve ever had the pleasure of walking around a contemporary art gallery, then you’ll probably recognise the concept of displaying art in as minimal a context as possible. In an art gallery this means lots of white wall space but few of us either have pristine white walls or the luxury of space that your average gallery would enjoy.

Bearing this in mind, there are other ways that we can help to give our chosen art a little more space. The most important being the frame selected to house the piece.

At Curator, we put a lot of time and effort into carefully selecting a concise group of framing options for each piece available. Largely for us this is about carefully considering how colour elements within each piece might match with their respective frame, but other factors do come in to play like how the size and level of decoration might affect how a piece is viewed when hung.

It’s probably stating the obvious but a frame stands between your artwork and its surrounding, so it can be used both to embellish a piece and to reset the eye. Sometimes a mounting board, normally very neutral in colour can even be placed between the piece and its frame so both the art and the frame itself can create a statement without visual conflict between the two.

Size

I’m a big fan of large dominant pieces, particularly in my front room. If you’re buying a really big piece then colour is going to be pretty critical to your decision because it’s going to stand out so much in the room. Selecting a bold and bright colour in this case can make a really impressive and dramatic statement when placed in a room with relatively muted or neutral décor.

In contrast colour selection in small pieces might not be so critical especially if you intend to hang several pieces on a wall together. Then again, don’t be afraid to pick something that’s small but really stands out, because it can really catch someone’s eye and draw them in for a closer look.

Because colour choices are so personal, I always find that following strict rules is difficult or at odds with my own personal taste, but ultimately thinking through some of these aspects always helps me when I pick something new for my home.

For further inspiration, colour combinations that occur in the natural world are often really great to transfer into the home. But if you are still stuck for ideas then maybe check out Adobe’s Kuler website which has stacks of really beautiful colour palettes to give you a head start.

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by Nicola

Seeds of Inspiration – Designing Interiors around Art

May 31, 2011 in Inspiration, Interiors

Without a doubt, most of us will pick a piece of art to hang on a wall of an already decorated room. Often art is either the last thought in interior design, or just an afterthought as a finishing touch.

Afterthought?

Photo: All of us have little ornaments and pieces of art scattered here and there. But art doesn’t need to always be an afterthought! Photo courtesy of The Shopping Sherpa

But what about when we move into a new home? It’s quite unusual that you will want to live with décor decided by a previous owner for very long so this gives us such a wonderful opportunity – a blank canvas! But not entirely – we all bring treasured objects to a new home with us and this definitely includes art work that we have previously purchased. In this case, it’s a good chance to consider how we might decorate a room to fit better with our favourite art, rather than the other way around.

You don’t need to necessarily be moving house to look at decorating in this way, if you are refreshing any room at home then selecting a piece of art to hang at the start of the process can help to make valuable decisions about the rest of the room before a potential clash.

Colour

If you don’t already know what you’re going to display on the walls of your room then sticking to a neutral base colour for walls is going to be a good idea. In a most literal sense, white walls will go with anything you hang and can be easily accented and disrupted by brighter colours on other elements of the room.

You can read my article on Colour Basics which runs through the essential components of colour theory that you might want to consider when selecting a palette for your room. At the most basic level, at least spend some time looking closely at the art you intend to display and identify some of the key colours used so that you can match them with appropriate paints or find other colours that combine well.

Fabrics

Photo: Fabric on sofa in The Monarch Hotel, Dubai. Consider colours, patters and textures of fabrics you use around a room – how might they reflect the feel or mood of your art? Photo courtesy of Uggboy

Repetition

If you want a very simple way of linking a beautiful piece of art on your wall with the rest of the room, then consider repeating some element from within the image.

Is there a particular flower used in the painting, a pattern you can identify within the image or maybe it’s the dark mahogany tone frame that you could chose to repeat using other elements around the room?

Look out for wallpapers that suggest similar patterns or textures as those used in your artwork, and definitely consider the materials used for your furniture and fabrics like curtains to see how well they match with elements of the painting.

Especially consider placement of mirrors in a room that contains prominently placed art work because it’s a great way to bring gestures of that piece on to another surface when viewed from a particular angle – so consider points of entry to the room and areas that are frequently used socially.

Style

French Armoire

Photo: A beautiful antique rococo pink french armoire. Antique shops can be a haven for those looking to find unique furniture pieces to match ornate frames or period artwork. Photo courtesy of frenchfinds

Is your art work depictive of a particular time or movement in art? Perhaps carrying this theme across the rest of your room might be an inspirational starting point. Don’t forget the frame which may have a big impact on the room when hung – if it’s simple and minimal then hopefully it will easily slot into any contemporary interior, but if it’s much more ornate then consider how it might interact with simpler furniture or items from another period.

You may chose to move in a completely opposite direction however. A traditional painting in a rather ornate frame can look spectacular in a minimalist room, and an abstract contemporary piece can equally bring a spark to a room that is furnished with period antiques.

Does your art present largely free flowing lines or much more rigid geometric shapes? This can be quite easy to reflect in other elements of the room. Consider a basic minimalist style for prominent furniture like sofas, armchairs or beds if you can identify strong geometric elements. Look for furniture and ornaments with rounded edges and corners, or use much more fluid shapes if you feel they match the style of the art.

What emotions does your art work conjure? What about for other members of your family? You might be able to either support or contrast these emotional responses by selecting particular ornaments or furnishings for your room as well.

Last but not least, getting an idea of what art you intend to display in a room before decorating at least ensures that enough space is left around the piece to give it justice.

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by Nicola

Changing Interiors Pt 1 – The Seasons

May 31, 2011 in Interiors

Art, whether it’s a painting, print or photograph, is one layer of decorating that definitely deepens the appeal of a space. A room’s décor can completely transform the mood of any room, creating a sense of tranquillity, passion or energy. Art that is appropriate to its surrounding can reflect personality and speak volumes about its owner.

There are lots of relatively easy and pain free ways of keeping any room fresh, without completely redecorating.

Storing Art and Rotation

Cat in a box!

Photo: It’s important to store objects that you love with great care and attention. Pack them well and protect from damage, hot, cold or damp. Photo courtesy of Peter Huys

You often find that once a piece of art gets nailed to a wall it doesn’t get changed again until the owner gets bored of it and buys a new one as a replacement, or often as part of redecorating a whole room or moving home.

Obviously, I won’t suggest the conversion of your front room into an exhibition space, but we can in fact learn much from some of the techniques used in galleries. If a gallery or museum kept the same collection out for a length of time then the public would quickly lose interest as they would be seeing the same things over and over again. This is why curators always keep exhibitions and displays fresh by frequently rotating their collection, so only about 10% is on display at one time while the rest is kept in storage.

So with this in mind, remember that in your home, you are the curator, whether many people see what you display or not, change is always important in life. Don’t always display every piece you own at one time, you can keep some pieces safe for another time of year or just rotate them around different walls or rooms.

Remember, if you have paintings or prints that you chose not to display for any length of time, then storing them safely is very important. Make sure any piece is appropriately boxed, protected from extremes of hot and cold, as well as damp. Try to keep boxed artwork stacked vertically to prevent canvases distorting, and avoid placing other heavy items on top.

Later in the year you’ll enjoy breaking open those boxed pieces and rediscovering the same feelings and memories you had when first buying them.

Cherry Blossom

Photo: Cherry blossom. Nature is such a great source of inspiration, but try to look beyond obvious images to the colour, shape, form and gestures that can transfer well into any number of artistic interpretations. Photo courtesy of mikeyskatie

Fresh with the Seasons

Many factors affect how interiors are perceived, one of the main ones being light. Warm colours and thick textures may seem like a good choice during the Autumn and Winter months but as the intensity and tone of light changes throughout the seasons, colours and textures will look different throughout the day and year.

Clearly it would be a bit much to change an interior to suit different times of the day, but the image of an interior can easily be changed or rearranged to give it a fresh look to match the different seasons.

During 2009, I had the pleasure of spending a year in Sapporo, Japan where I first came across this idea. On the first day of Spring families would often take down all the paintings on the walls in the living room, put all the ornaments and cushions in to storage, and replace them with alternatives in beautiful, soft, pastel colours and delicate textures that were more suited to this uplifting time of year. This simple little method makes a room feel completely different and seems to brighten everyone’s mood! Having little reminders of the seasons inside as well as outside also makes you appreciate them so much more.

Selecting Particular Images

Whether you change the art on your walls by the changing seasons of the year, because you’re redecorating, or just because you’re now a little bored of them, don’t settle for easy clichés. It’s too easy to go for the obvious bright colours during Summer and cool blues during Winter, sunflower painting in July and snow scene in December. It should to be your own personal choice and emotional relationship with your art that defines what goes on a wall and when, in a similar way that you might chose a particular album to listen to on one November morning.

Texture matters too

Paint Texture

Photo: Paint texture. Enjoy every brush stroke! Photo courtesy of vamapaull

Textures don’t just have to be about what curtains you hang or what material cushions you use, textures can also relate to the art you have on display. Texture in paintings refers to the quality of surfaces, different types of paint and techniques used can have a big effect on how an interior is perceived because of their texture. For example, an oil painting which is bold and rough-textured will reveal the individual colours and paint strokes used, creating an almost three-dimensional painting.

Your room’s lighting will strongly affect how texture is perceived. Soft ambient lighting may make texture quite difficult to observe, but strong downward directional lighting can cause a prominent shadow beneath paint strokes. Again, this is largely down to your personal preference, but definitely take texture in to account when considering a piece for a particular room.

Texture within a painting is one of the elements that can keep a piece looking fresher for longer because it encourages the viewer to step closer and observe in detail, whereas a giclee print which perhaps has large and bold strokes but no texture at all makes more of a statement when viewed from afar. So think about using this contrast when changing the type of art on your wall.

Don’t settle for the same pictures that you hung ten years ago. Variation can be a really powerful force in our lives so spend a day or two every few months reconsidering what goes where. Let’s face it, you thankfully don’t have the same pressures as the curator of a commercial gallery, just try some things out and see how they work for a little while – you might just be pleasantly surprised.

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by Josh

A Bigger Space for Art in Contemporary Interiors

May 31, 2011 in Interiors

Many of us would be willing to spend weeks or months saving for and selecting a fantastic new sofa, but few of us take the same time and care to select art for our walls that really speaks to us or makes a big impact in a room.

Modern Interior

Photo: A modern, contemporary interior living room design. Photo courtesy of Wonderlane

Our lounge, kitchen, bedrooms and study are often focal points for the whole family and it’s inevitable that we spend a large proportion of any given week in these spaces. For me, it is quite unimaginable to work, play or just relax in any room that is devoid of personality or inspiration. So let’s get imaginative and start to really enjoy our own living spaces!

What makes some art really popular?

There is a good reason that prints and posters of art such as Jack Vettriano’s ‘The Singing Butler’ are so popular. Themes like love, class, sophistication, romance and just fun on the beach speak to pretty much all of us. This is perhaps what has helped Vettriano sell over three million poster reproductions around the world. He claims to produce art for the ‘masses’ but what does this really mean?

The Singing Butler

Photo: Jack Vettriano’s “The Singing Butler”. Photo courtesy of beingmyself

For me, art doesn’t have to have a deep meaning that is difficult to decipher from the work. It can just be something that I feel looks great with my bedroom décor or it could even be something that reminds me of my school days. The important thing though, is that the art I pick speaks to me in some way or maybe even says something about my personality.

Although I can see the basic visual appeal of Jack Vettriano’s art, there is something about work that is created for mass production that makes me feel uneasy. Something about it seems deeply impersonal and in a way I feel that I want the creator of art that I buy to be speaking directly to me.

There is of course one other thing that comes into this. When I go to a dinner party I never want to turn up wearing the same dress as another guest! Similarly, I like to know that the chances of someone else having the same beautiful images adorning their walls as me is really very unlikely.

An introduction to originals and limited edition prints

The terms ‘original’ and ‘limited edition print’ are totally self explanatory. An original piece is something that an artist directly worked on and is likely to use materials like paint or charcoal perhaps. In contrast, a limited edition print is a high quality reproduction of an original work printed in just a small batch, unlike standard prints which are usually mass produced and printed to a much lower standard on low quality paper stock.

Owning an original piece can be a really special feeling. Have you ever received a handmade gift from a relative or friend and felt the extra value that knowledge of their hard work to produce something so beautiful was just for you? It’s something similar with art, except usually on a bigger and deeper scale.

By the time I buy an original piece, I have usually read quite a lot about the artist and seen at least photos of much of their work. Sometimes it’s this that helps me develop an emotional attachment with a specific piece – having a little knowledge of why the artist placed a specific mark is so enjoyable when you are the one person that owns it and you can revisit the piece as many times each day as you like.

Speciality Art Paper

Photo: Hahnemuhle speciality fine-art paper. Photo courtesy of Elevate Printing

A uniqueness factor is something that applies to limited edition prints as well. Owning a print with a certificate of authenticity that tells me that it is print number three of ten tells me that it’s something quite rare.

The quality of the prints that I buy is quite critical. I’m looking for work that is printed onto usually a very high quality fine art paper – this is normally detailed on any certification (and measured in gsm). Prints I collect are usually giclee prints which are produced using high end archival inks that stay bright and bold for many, many years. If you are unfamiliar with any of these aspects then just make sure you read the detail about a print or speak to the seller before buying.

Ultimately, because art isn’t functional in the same way that a set of breakfast bowls from Ikea would be, just be a little wary of mass production and look for something personal or as unique as possible – art that really speaks to you.